Saturday, October 28, 2017

Eleanor & Harry

"Eleanor."
My finger continues to swirl invisible patterns onto the box of chocolates he brought for me. A condolence gift. As if somehow the sugary bliss of a truffle will chase away the grief that has hollowed my insides and invaded my mind.
My eyes continue to scrutinize the floor. The powder blue linoleum is peeling at the corners of the room. It's pathetic, even by a trauma center's standards. The nurses blame the humidity. I decide in this moment, a secret I will take to the grave, that I hate Georgia. I blame the state in its entirety for taking my husband from me. Without looking up, I prepare myself for a slight smile. Regardless the circumstances, a lady is meant to be polite.
He inches closer. I steel myself and stand. "Harry." I give him a curt nod, and the forced smile. Frankie knew I hadn’t warmed to this man yet; I’d gotten the impression that Harry was the kind of person who lets politics define the man he is, instead of allowing his character to define his politics.
"I was so sorry to hear..." his arm lifts to the bed, then drops back to his side when he realizes Frankie is no longer there. "I was so damn sorry to hear about the stroke. I came as soon as I could."
Guilt punches at me. I did not come as soon as I could. I stayed in Washington to deliver a speech, and then was brought to Georgia, rushed to Warm Springs' Trauma Center, angry the whole trip that those meant to protect me hadn't told me all of the details.  By the time I arrived in his room, his last few breaths had been long extinguished. The body was taken elsewhere, but I was allowed to stay in this room to collect my thoughts. One of the perks of being the First Lady, I suppose.
The chipped green paint reminds me of moss. The room is stagnant, and a faint odor lingers in the air.  I imagine the smell is a mixture of death and sweat and frantic last measures. The thought overcomes me, and it feels like I'm suffocating. Through the window, I watch a frazzled nurse scurry down the hallway; her nursing cap is askew and her apron is missing. I take a deep breath, swallow the guilt that has crept up my throat, and ask the question we both know needs to be addressed.
"What now?"
Harry looks confused for only a moment, then recognition settles into his features.
"I'll step forward and choose a Vice President. I'll do my best to make President Roosevelt proud."
A new emotion takes the reins, one I welcome given the current state of my being: irritation. "Harry, had I assumed the answer were that simple, I wouldn't have asked the question." The look of bewilderment on his face merely inflames the annoyance I feel. "There is no law saying the position should be placed on your shoulders. I'm aware it's tradition, but we both know I've been the captain of this presidency for the last 12 years."
A reaction I can't quite place flashes across his face. Offense? Bemusement? Pity? His lips harden into a straight line. He says nothing.
"Oh, come now, Harry. You've clearly got two cents; out with it."
His cheeks redden slightly. "Eleanor, we both know you couldn't even captain your marriage. Franklin had several mistresses..."
I interrupt. "As did I."
He falters, and I keep talking. "Our spousal contract has naught to do with my ability to run the country. Clearly you aren't so stuck in the past that you would equate my wifely duties to my presidential ones." His expression doesn't change. I realize that's exactly how he feels. "I see." There's an awkward edge to the air.
Harry tries to peddle backwards by explaining it's not his sentiment, but what the people will ultimately think of my ability to serve when the details of Frankie's reunion with Lucy Mercer are exposed. I delicately pick up the box of chocolates and carefully study my options as he flaps his lips. I select a darker truffle. He's still talking. I take a bite, allow the sugary bliss to carry me elsewhere for a moment while he bumbles on.
Eventually he peters out and offers me a half-hearted shrug. "We have several enemies already, let's not add each other to that list."
"And we would become enemies, if I challenged your opinion that it is you who is best suited to take Frankie's place?" His expression speaks for him. I finish the truffle and shove the box into his hands.
"Then I am done. If you expect me to help you merely because you believe you are better qualified for this position, I will turn my back on politics entirely."
I walk to the door, he calls for me as my hand reaches the handle.
"Eleanor, I don't mean to cause any trouble..."
I briskly turn to him. "Oh Harry, you've inherited a world war and a weapon we can't possibly fathom. It is you who is in trouble now."
The door slams shut behind me. The linoleum amplifies the clicking of my high heels on the way out of the trauma center.
***
"And on this day, the 15th of March 1946, we hereby appoint Eleanor Roosevelt to the position of United States Representative to the General Assembly of the United Nations." The announcement reverberates throughout the small room.
Harry turns to me with a smile. "You really turned your back on politics, Eleanor."

I roll my eyes. "Oh, don't ruin it, Harry."

The Sledgehammer and the Sea

This was my assignment for round 1 of the 2017 Flash Fiction Contest through NYC Midnight. Out of a group of 32, this received 7th place. I was assigned an action adventure story, the location needed to be a yacht, and the object was a sledgehammer.

It's one last job. And then I’m free. This is what I remind myself as his knuckles connect with my temple again. I shake my head. I’ve been paying the debt for my life’s mistakes for so long I can barely imagine what freedom will feel like. A life for myself. No more running. My record erased. So long as I can get this done. Stars appear in front of me from the last blow as I rapidly blink my eyes.
When someone hits you hard enough in the face, the ringing in your ears ricochets across the galaxy of your brain. This sensation is quickly replaced by a numbness that eats up the pain and turns off your peripheral vision. I've learned the hard way that trying to fight back without peripheral vision is like trying to punch a shadow in the dark. The best thing to do is to bide time until your senses come back. The only thing better than physical power is patience.
I have been patiently waiting for 26 minutes while the muscle of this crew has pummeled me. If all has gone according to plan, Shane should be done with his half of this assignment. He’s the new retrieval guy, I’m reconnaissance. Really, I’m bait, but I prefer the label I’ve been given over the truth. The smell of pennies set up camp in my nostrils 18 minutes ago, and I find myself wondering between punch 21 and 30 how much blood I've lost.
The floor beneath me is disgustingly dirty. Clearly, I'm not the only person who has been on the receiving end of this guy's fists. I'm briefly concerned with how much of my own blood is mixing with the other bodily fluids stained on the ground, but adding that thought to the constant rock of the yacht on the water is enough to start turning my stomach. I force my thoughts to focus elsewhere.
I've been restrained- hands tied behind my back, thrown haphazardly into a rusty metal chair that's seen better days, but I’m thankful. The jagged pieces will give me leverage when the time is right.
The dim lighting around me laps in and out of my line of vision like waves. His meaty hands are hanging limp at his sides. Great, he’s going to start talking again. His voice is almost worse than his punches. This guy’s accent is hard enough to decipher and somewhere around minute 6, he grew tired of my snarky remarks.
Any conversation so far has been partially coherent at best, and unintelligible at worst. He squats down next to me. Places his stubby fingers under my chin. Makes me look into his eyes.
"I ask you again. I find you on yacht. But you were not invited. So, that makes you trespasser. I need to know why you come here. If you answer, I do not need to use fists."
Is it Russian? It must be. What other accents sound so thick?
He pats my cheek roughly. "You’re pretty girl before I start with the hitting. Answer my questions, and you'll be pretty girl again someday." He squints. "Probably." A laugh erupts from his throat. I do my best not to roll my eyes. My chin is released as he stands back up, sneering at me the whole time.
"I decide you tell me now. I grow bored with you. It's not good. For me to be bored with you." He takes a moment to inspect his fists. "You have realized already why they call me "the Sledgehammer," yes? I assure you that I...how do you say... I’m not made sleepy by my work."
31 minutes. Shane’s an amateur, but he’s had plenty of time. I begin to wriggle the rope on my wrists against one of the rough edges of the chair and start talking to distract Mr. Sledgehammer.
"I'll be honest with you. I'm here on an assignment. It's my last one, actually." I flex my wrists a bit. I'm close to breaking free, but not quite. "Mr. Stetson, your boss, has something that my boss wants. Or needs. I'm not too clear on her motive. I'm here to get said something. Well, really Shane is here to get said something. I'm here," I snap my wrists out of the last threads of rope, "to be a distraction for the uh. The "muscle." "Sledgehammer" in your case, I suppose."
He stares at me. During the next few seconds, I watch what must be the dance of understanding and disbelief unfold on his face. I almost feel sorry for the guy. He sputters a bit.
“Why you tell me this? Little girl thinks she is tough, yes? Thinks maybe I go look for friend and leave her alone?”
A smile tugs at my lips as I lunge off the chair. “No, Sledgehammer,” I say to him as I land my footing and draw back my fist, never taking my eyes off his. “I’m telling you this because by the time you’re conscious, I’ll be long gone.” I propel my fist as hard as I can into his solar-plexus. He staggers back in surprise, then doubles over as his ability to breathe quickly disintegrates. I swing a roundhouse kick that greets his jaw. The guy is knocked out cold. Less than 2 minutes from start to finish. It’s gotta be a record for me. I hightail it up the steps and out of the hull. As I hit the deck, I see Shane with a bag slung over his back. I give him a nod and a wave, our signal. He reciprocates it. Mission accomplished.
It’s not until we’re speeding back to headquarters that I even bother asking him what we were there for. He gives me a look. Shrugs. “It’s in the bag. Said she wanted information from a sledgehammer. I figure there’s a microchip in it or something.”
I slam on the brakes.
Shit.

The End of Summer, and the Start of a Beautiful Adventure

It happens every year, though the exact day changes and can never be pinpointed. 
Here I am. Dreading the end of summer. Looking at the list of 154 new names to learn and pronounce properly. Wondering how the school year will go, and I feel nauseous. Where did summer go? I'm not ready for this. 
And then, like magical clockwork, I read an article. Or a book. Or hear from a colleague. Or an old student. This year, it was attending the NCTE Affiliate meeting that did it: the itch to go back into the classroom and make learning happen ignites me from the inside out. 
We are artists. We, the hardworking, innovative teachers, are artists. We take the clay of dry old texts and mold them into learning our kids end up being empowered by. We break rules to ensure our kids have access to the best curriculum we can give them. We lead the way. We stand our ground, because the foundation underneath our feet is structured with research, conferences, collaboration, and the battle cry of NCTE’s leaders. We understand great teaching is back-breaking. It's messy. It's full of failures but stronger successes. It reverberates with the echoes of our students who have told us we made them believe in themselves. Who remind us we pushed them intellectually, that we caused them to think, we helped them discover bits and pieces of who they truly are. We allowed them to fall in love with reading again. We inspired them to try harder in their writing. 
And knowing we can foster that type of environment for our students? It's truly mystifying. It's magical. 
Yes. We teachers, who redefine the English classroom to be a relevant place where teenagers come to think, come to question, come to write, come to truly read; we are magicians. Our affiliate meeting reminded us that great teaching is an act of magic. We cast protection spells over the lessons that may be shunned by our district, because we know they awaken the inner learner inside our students. We create intoxicating potions filled with relevant reading, enjoyable writing, with rigor and critical thinking heavily mixed in. We cite incantations that hold our students captive, that make them try again after failing, that keep them awake, when they are used to using their desk as a place to nap. We help guide them to books that they love after years of swearing off reading.
We are book-matchmakers. We get to know our students and their interests, and we pair them with texts that move them. That make them care. That make them laugh, and cry, and slam the book closed with anger as they witness characters they love be slapped with injustice. We reignite their empathy, we allow them to make connections to classic literature, or other young adult literature, or songs, or poetry, or news articles, as they make sense of their lives through the books they’ve been given. We use our brains to nudge theirs to be a bit more open.
We do all of this while keeping in mind who we learn from best: other colleagues, other affiliates, NCTE, and most importantly: our students. 
Have an amazing school year. Create your masterpieces. Work your magic. Pair your students with books they adore. Not everyone gets the privilege of changing the world, but we do. One student at a time. 

-Published in the Summer 2017 edition of the AETA Connections Letter.

Why Our Students Need More YA Lit in the Classroom.

“A dynamic classroom community can be created by taking teens—and their literature, seriously.” –Jennifer Buehler
I’ve known for quite some time that teaching with young adult literature is important. I didn’t realize just how crucial it was until I read Teaching Reading with YA Literature by Jennifer Buehler. There are educators who scoff at YA lit, and deem it as lower-level reading, liked by teens only because it is “relatable.” While YA lit certainly is relatable, many educators don’t realize this relation with the text allows teens the ability to make meaning out of what they read, and how they personally live their lives. In turn, that skillset allows them to thrive with making complexity out of their reading. After all, “we all know that literary analysis has more meaning when the texts we’re analyzing matter to us. The stories teens encounter in YA lit give them reasons to read both closely and personally” (Buehler 30).
Some may also argue that young adult literature does not typically have a high Lexile score. I would encourage anyone who shares this sentiment to explore what actually goes into the creation of a Lexile score. Understand that a Lexile score is made by chunking an entire text into 125-word paragraphs, each measured for Lexile, and then averaged out to give a final score. That’s it. What good is a score like that if it does not "take into account a book’s content, [or] attend to age appropriateness or writing quality? That means books with mature themes or sophisticated storytelling techniques may rate low in terms of Lexile when they’re actually very complex overall” (Buehler 28). For instance, Diary of a Wimpy Kid scores a 1000L, while Of Mice and Men (a deeply beloved core English text) only scores a 630L. 
Indeed, books that read easily may still have incredibly complex themes and ideas. Novels such as The Hate U Give, Eleanor & Park, We Were Here, and Wonder are purposely written for a teen audience, but cover topics that are relevant and important not just as English students, but as human beings. Fostering this kind of reading in our English classrooms can allow students the safety and time to rediscover the love they had for reading as children. As teachers, we know the research shows us that most teens ditch reading once they hit high school. We know boys lose interest in reading before their female peers, but that girls follow shortly after. They tell us as we train to be teachers that if something is happening to the entirety of a class (such as failing a test), it’s probably the test that is at fault, and not the students. If we apply this theory to reading in the English classroom, it would be an easy assumption to make that it is not the students at fault for loss of interest, but that the texts themselves are not of much interest to teens.
Unfortunately, there are stereotypes surrounding YA lit that hinder many teachers from using them in their classroom. The stigma such literature holds in our reading culture must be eradicated. To ridicule YA lit is to ridicule the teenage experience. If we want our students to become readers, then we need to value what they identify with. After all, don’t we, as adults, read only the novels that we identify with on some level? I can understand that some YA novels may lend themselves to portraying the stereotype that young adult books are not intellectual. Take, for instance, the beloved Twilight series. Yes, they’re a guilty pleasure of mine, and yes, I attended all the midnight movie premieres donning homemade “Team Edward” shirts with my best friend Sam. But the novels themselves are hardly intellectual, and the main character is a weak young girl who only finds strength through the man she finds herself with. There’s not a lot of substance behind this series, even if it was enjoyable to read. However, you’ll find this same kind of “summer reading” in books geared towards adults, like with the Sookie Stackhouse series.
But, start to navigate your way through the vast amounts of young adult novels out there, and you will find pages teeming with all kinds of potential for analytical and intellectual conversation. Again, in books like The Hate U Give, Eleanor & Park, Wonder, and We Were Here, our characters fight like hell to find out who they are while facing adversity and pain, just like the teenagers we teach in our classrooms every day.
Teaching YA lit isn’t “taking the easy way out.” Putting these novels into our students' hands allows them to build complexity into their reading as they navigate the character's life and connect to it on a personal, social, and academic level. There is plenty of rigor available in these texts if we scaffold their reading experience with young adult literature pedagogy. Teaching these texts lets our kids know that their lives are important, their struggles are worthy of conversation, and that damn it, they deserve to enjoy reading again.

The Choice

-This was my submission for NYC Midnight's Flash Fiction competition. It won first place and I earned enough points to make it into the second to last round of the competition, when 2,100 writers were cut down to 300. I was given a genre, an object, and a setting. Mine were drama, banana bread, and a petting zoo.
--------
"Debra."
The snarl around the syllables of my name made it sound like a curse word. I continued to ignore him, instead focusing on the piece of banana bread in front of me. A part of the crust crumbled between my fingers. A smirk tugged at my lip. What kind of child picks banana bread for their birthday cake?
Attempting again to break through, the gruffness in his voice faded slightly. "Deb. Look at me."
I didn't want to. I knew what was coming- sensed it since he first sat across from me at the splintered excuse of a table I was at. Following the instinct to avoid his eyes, to sidestep this conversation, I turned to look at Carter and the animals.
It was a shitty petting zoo, but the little girl who giggled as she darted around didn’t think so. Through her eyes, it must have been the most magical thing she'd ever experienced. Dirt was pancaked on her knees from kneeling down every few minutes to lovingly pat the barn animals beside her. The four-year-old who loved donkeys and banana bread. My daughter.
Trying again to get my attention, he pushed a stack of papers my way. Venomous anger coursed hot through my veins.
"You think this is the time and place to do this? It's Carter's birthday party." My words struck at him, a snake ready to bite.
"Debra, keep your voice down. There's no need to make a scene." He motioned to the stack of papers. "There will never be a right time to discuss this. Might as well get this part over with."
Tears stung at my eyelids as they threatened to spill over my mascara. I took a deep breath to steady myself.
"Why are you doing this?" My voice cracked as the question slipped from my mouth.
Gingerly, his hand pressed onto my arm. "Because I love you. Because I want the best for you. And for Carter."
I jerked my arm out of his grasp. "And you think the best for Carter is to take her mother out of the picture? That somehow you’re better for her?"
Pain flitted across his face, but a look of weariness replaced it quickly. "I'm sorry if you see it that way. It doesn’t change my mind. Look at yourself. The circles under your eyes are telling enough. When was the last time you slept a full night? The last time you felt happy?"
The questions were a one-two punch to my gut. What did it matter if I slept or if I was happy? I was a good mother. I took good care of Carter.
My shoulders gave a pathetic shrug. Answering the questions out loud would set loose the emotions coiled inside of me.
Out of my peripheral I saw her chubby little legs racing towards me. Carter jumped, giving me just enough time to pivot my body and catch her. 
"Momma! I got to pet donkeys!" Her cheeks were flushed with exertion and joy. I nuzzled my head against her.
"I saw sweetheart!! They love you an awful lot. Just like me." I hugged her tightly.
Beaming, she squeezed me back and then hopped out of my grasp. "I love you too, Momma," she chirped, dashing off to continue visiting the other animals at the petting zoo.
No one could deny how much I loved my daughter. Sure, my life was crumbling. But my life didn't matter. Carter's did.
"Honey."
I allowed myself to glance at him. His eyes locked with mine.
"I've seen you like this before."
I clamped my jaw shut to hold back a sob. "I'm fine."
He nodded, not as a way to agree with me, but as a confirmation to himself about what my response would be. His eyes stayed trained on me.
"And the voices? Have they come back?"
Pressure built between my molars. I was grinding them at this point, stealing deep breaths through my nostrils.
Embarrassment heated my face, burned the edges of my eyes, caused my shoulders to heave slightly. I looked down, trying to hide from the truth haunting his face.
He knew. Of course he did. Fathers always know.
"Daddy," the word caught in my throat and trembled. "I can get through this. I'm fine." I looked back over to Carter, the image of my daughter blurred slightly from the tears that were sure to drop any second. My beautiful girl who loved banana bread more than birthday cake, who loved petting zoos more than tiaras and balloons. I tried to think of my life without her. Doing so made it feel like my chest was breaking.
I shook my head fiercely. "I won't leave her."
"Debbie look at the papers. It outlines the program. Three months. I will pay for it. The success rate for this institution is incredibly high. They can help you." He reached across the table again to hold my hand. I let him. Biting my lip, the first of the tears started to roll off my face and splatter onto the sun-stained wood of the table.
“But Carter…” was all I managed to sputter out before an audible sob reverberated out of my chest. Defeat ricocheted between my bones. Fighting against the voices was almost impossible. Everything they whispered to me seemed so real. I knew he was right. My father stood up and moved around the edge of the table, coming to sit next to me. Putting an arm around me, he let me calm myself against him.
“Carter will stay with me while you’re away. We’ll tell her it’s a business trip. I need you to put yourself first for once.”
From the safety of my father’s shoulder, I heard my daughter’s tinkling laugh. A fleeting moment of hope rested inside me as I briefly imagined a world where the voices didn’t interrupt that melody. I wrapped my arms around my dad. “Okay,” I whispered into his chest. “Okay.”

Teaching is an All-Time Job (or, Why Teaching is Beautiful and Amazing, but a Sacrifice) Or, Dear Governor Doug Ducey

I have a vivid memory of sitting in one of my teacher college courses. Inside a dimly lit classroom, my professor is lecturing on the “burn-out” factor. It was not a lecture of discouragement, but one of warning.
“Look around you,” my professor said. “Statistics show that in 3 years, 2 out of every 3 of you will no longer be teaching.”
In my recollection of this day, I remember my 4.13 GPA within the Mary Lou Fulton Teachers College; my competitive attitude; my stubbornness. Not me, I thought.
As I finished my third year of teaching and signed my contract for the upcoming year, I celebrated. I made it through the first three years and still had a fire growing inside of me that kept my passion for teaching warm. The statistics were in my favor. I was the 1 in 3. And certainly, it seemed so. Through Facebook I saw several of my graduating peers leave the profession, for what they deemed to be better and brighter careers.
Not me, my mantra seemed to become. Not me.
And then my fourth year of teaching hit me like a freight train. I am exhausted. I am angry. I am burnt out. My fifth year of teaching has left me aching. It has forced realizations on me that I did not want to see. See, Doug Ducey, I love teaching. I love education. I know that how passionate I am about both practices eclipses any feelings you have toward these topics. However, the financial burden of teaching is pushing me to the edge of this profession. The strain of my career on my livelihood has broken my heart and my spirit.
Now Doug, don’t get me wrong here. Every year of teaching has had its obstacles. Since you have never been a teacher, I will confide in you some of the hardships that are typically only shared amongst educators- because they are stories only other people in this profession fully understand. My first year of teaching, I came home every night with the weight of my students’ worlds on my shoulders and drank. And then I cried. I cried because the job was hard. I cried because some of my kids were mean to me. I cried because sometimes my lessons tanked and I thought I was wasting my students’ time. I cried because I worked so hard and so many students didn’t care. When my students sleep, when they check out, when they don’t pay attention, all I can think is that I have failed at my job. That if I was better at what I did, they would pay attention to what I wanted them to do, and what I had to say. I cried because I had no way of knowing if I was even doing a good job. It’s frustrating to go from being a straight A student who can easily track their progress to being a teacher whose only feedback comes from students and an evaluation system that measures the wrong aspects of teaching.
But more than any of those combined, I cried because too many of my students were going through things that they should never have to go through: abuse, neglect, the death of their parents or siblings, fighting the urge to commit suicide. At the end of my first year, a student wrote a letter to me telling me that on the day he had decided to end his life, he spoke to me after school, and what I had said to him (completely unaware of the choice he was about to make), made him change his mind. When he walked across the stage at graduation the following year, I cried again.
You see, Governor Ducey, it is not just essays that I take home with me every night, but the fate of some of my kids’ lives. His is not the only letter I have received in my five years of teaching. Several letters have told me that it was my influence, my interaction, my own letters to my kids, that have saved their lives. You see, being a teacher means being vigilant at all times. I must balance all of my lessons and grading while alwaystrying to make sure that my students don’t slip between my fingers.
This balance became a bit easier the second and third year. Still hard, certainly. Within teaching, there is so much responsibility. But I accepted this and tried to better myself. I have continued to cry every year, but not every day. I have worked rigorously to be the best teacher and role model I can be for my students. I played the game and gave up my precious serving job in the middle of my second year so I could dedicate more time to teaching, and I persevered.
This year, however, has felt much different. My fourth year has given me a taste of teaching bureaucracy I don’t have the patience for, and my fifth year has made me loathe you as you pat yourself on the back for the pennies a day you've tossed to teachers, feeling certain you've done something more than insult us and our work. This latest slap in the face has reminded me that most friends I have who never obtained a bachelor’s degree make a considerable amount more than I do. That I spend up to 10 hours a day working, sometimes 60 hour weeks, and cannot be rewarded for it. That I work in a system which rewards the group, and never the individual. That I am told dismissively and jovially by other people that “it must be nice to have summers off,” while they all seem to neglect that I am not paid overtime, that I always leave later than my contracted hours, that I still work and research teaching methods or attend professional development during my time off. This essentially equates to working a year-round job, but I'm only paid for 9 months of the year.
Other pieces of information have worked their way into my mind as well, like realizing that in 2017, I make what is considered a “lower class” income.
Doug. I’m college fucking educated. I can’t even hit a middle class salary? When you slashed budgets across Arizona, I want to know if it was with a smile. If it was with a song in your heart. Or if you merely washed your hands of it because when it comes down to it, you, and most people of Arizona, just don’t care. You can say whatever you would like, but your actions have already spoken for you.
Arizona, this profession is not sustainable. It’s not financially viable. And it breaks my heart because I absolutely love it. I love teaching. I love my students. But the actions of this state are slowly squeezing the breath out of all of us. I am suffocating- choking on the apathy of people who don’t care about education, who don’t care about educators. This indifference harms us all- not just teachers- and most importantly, it is a disservice to our youth who are being pushed through this shattered education system; the broken shards snagging them as they move along.
Teachers need a workable wage, or the really great teachers won’t stick around. I am smart, I am a hard worker, I know within a business profession I would be promoted and recognized for the sweat and tears I put into my work. I am in the fifth year of my college-educated career, and I still need a roommate because I can’t afford my mortgage without one. The only reason I was even able to buy a house is because I saved all my money from serving in order to have a down payment. I am so glad I do not want children of my own one day, because in the teaching profession, I would never be able to afford children. My bills deplete everything I make in a month. Many teachers I know work two or three jobs in order to sustain their families, and I don’t understand how you can be so blind. So disconnected. So inexcusably hurtful to this career.
I am more than enraged. I am seeing red. When I think about the inequality in teaching, and the apathy associated with it, it makes me want to scream until my voice is gone. Perhaps my voice is gone. When Arizona legislature stole millions of dollars from taxpayers and our education system, I thought no one else was screaming. I find it possible now, that we are all screaming, but those who make the laws and keep our money have hit the mute button.
Governor Ducey, treating our teachers like lower class citizens is repugnant, but more than that, it is a huge disservice to America’s youth. Great teachers are not going to stick around much longer. This may be because they leave the field to join a profession that celebrates them. It may be because they allow the heart break and stress to bring down the caliber of their teaching. When this happens, you will have no one to blame but yourself. My fourth year, and now my fifth year, have shown me that “While the hourly rate of the typical educator in Phoenix is $8.12 an hour above the poverty rate, over a 40 hour work week a teacher, who has earned at least a bachelor’s degree, makes only $328.80 a week more than an individual living in poverty” (azed.gov). Do you see now, why a 2% raise over a 5 year stretch is such a joke? Do you understand that your "efforts" sound much more like a fuck you than a thank you?
Telling Arizona's teachers they are unworthy to be paid a fair wage is repulsive, but doing it as you congratulate yourself adds an element of tackiness that I can't let go of. I understand why Arizona teachers are leaving the profession in droves. Our profession is handled by people who have never been teachers, which is a problem, Doug. You see, many people assume they can do my job because they were once students. This is like saying I know how to perform surgery because I’ve watched all of Grey’s Anatomy. 
On top of this, it seems to be a great teacher, I have to sacrifice every other part of who I am. Because teaching is never done. There are always more lessons to perfect, always more papers to grade, always more research to read, always more ways to try to get students interested in what I have to offer them, always more parents I could be contacting and more professional development I could be attending. I am a workaholic and a perfectionist and because of this, every other component falls to the wayside so I can try to be the best teacher I can be. Everyone who assumes they know what it is to be a teacher, please stop. Unless you have been in the trenches with us, you do not know anything valuable about this profession. Stop saying you are on my side or that you understand. Your actions show differently.
Governor Ducey, I have gotten to the point where I am terrified, that I will die one day, and still never even know who I am. That I will leave this life knowing who I was as a teacher, but never who I was as a human being. This is not only from the complexities of this profession, but from the inability to save up money to do what I want to do in my life. I want to expand my horizons, I want to travel the world, hell, I want to be able to replace my tires without trying to decide which is worse: the bill or a blow out. I know I am not the only teacher who feels this way.
After your self-congratulatory press about education (spoiler alert, the extra $4.13 on my paycheck that will start rolling in next year does not help me, when I don't even make enough to independently make ends meet), we teachers are treading in a sea of uncertainty, being yanked down by your indifference to our career and value, drowning in your apathy towards Arizona's children. And you seem to be blind to the fact that we are slipping slowly under the surface, as the waves of indifference from our politicians threaten to keep us under.
Mr. Ducey, my new mantra this year seems to have become who am I? Who am I? Who am I? And the truly beautiful and horrifying thing is that without teaching, I really don’t think I have an answer.
Which is why I am choosing to speak up. You see, Doug, if your plan is to sweep me out to sea, I will call for help until I drown.
Sincerely,
Mallory Heath